There is no feeling, except the extremes of fear and grief, that does not find relief in music.
T. S. EliotRead
Honest criticism and sensitive appreciation are directed not upon the poet but upon the poetry.
Interpretation
This quote emphasizes the importance of evaluating creative work rather than the creator themselves.
In this quote, T. S. Eliot highlights the distinction between the artist and their art, suggesting that critiques should focus on the quality and impact of the work rather than the personal attributes of the artist. This encourages a more objective view of creative expressions, promoting an environment where constructive criticism and genuine appreciation can thrive, ultimately enriching the artistic dialogue.
In practice
During a workshop on poetry, one could use this quote to encourage participants to focus feedback on the poems shared rather than on the poets themselves.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
I am an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.
If you aren't in over your head, how do you know how tall you are?
For I have known them all already, known them allβ Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.
In the faint moonlight, the grass is singing
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
A work-room should be like an old shoe; no matter how shabby, it's better than a new one.
The experience of writing 'The Kite Runner' is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.
Music is the cup which holds the wine of silence.
I see things, that's all. Write enough stories and every shadow on the floor looks like a footprint; every line in the dirt like a secret message.
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
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