Be truthful. Nature only sides with truth.
Adolf LoosRead
Does it follow that the house has nothing in common with art and is architecture not to be included in the arts? Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art.
Interpretation
Architecture's relationship with art is limited, with only functional elements being excluded from artistic value.
Adolf Loos argues that while architecture may contain artistic elements, many functional aspects should not be considered art. He suggests that only structures that serve a commemorative or memorial purpose, such as tombs and monuments, can be included in the artistic domain, whereas most architecture aims primarily to fulfill practical functions.
In practice
In a lecture about architecture's purpose, I cited Loos to emphasize the utility of design in modern buildings.
Be truthful. Nature only sides with truth.
The house has to please everyone, contrary to the work of art which does not. The work is a private matter for the artist. The house is not.
The house has to serve comfort. The work of art is revolutionary; the house is conservative.
Architecture arouses sentiments in man. The architect's task therefore, is to make those sentiments more precise.
It's not that he lacked poetry. But his poetry was of the body, not the mind. He spoke it in the way he moved, the way he held a hammer, rowed a boat, built a fire. I, on the other hand, was like a brain in a box, a beating heart in a coal scuttle.
Taste is the best judge. It is rare. Art only addresses itself to an excessively small number of individuals.
An ecstasy is a thing that will not go into words; it feels like music.
There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.
For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself.
After a while, the characters I'm writing begin to feel real to me. That's when I know I'm heading in the right direction
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