Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Savion GloverRead
For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself.
Interpretation
Dance serves as a powerful form of self-expression rather than just a sequence of movements.
In this quote, Savion Glover emphasizes that dance transcends mere technicality and choreography; it acts as a medium through which individuals can communicate their emotions and narratives. He suggests that the true essence of dance lies in its ability to convey personal stories and feelings, making it a vital outlet for self-expression and identity.
In practice
During a dance recital, the teacher reminded students that their movements should express their emotions, echoing Glover's belief.
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
I'm happy that people think of me as the greatest tap-dancer that ever lived. But it's just a rumor. Because the greatest dancer that ever lived knows everything, and I don't. I'm still learning. I still have a lot of work to do.
My mom couldn't afford dance shoes, so she put me in these old cowboy boots with a hard bottom so I could get some sound out. I used them for seven months. When I finally got real tap shoes, I was nervous. I kept moving my feet, thinking, 'Oh, so this is how it's supposed to sound.'
Only since the turn of the century has abstraction again become recognized as an artistic means of representation. It was then that one returned to the recognition of the immense role abstraction plays in the human mind by its power of concentration upon absolute essentials.
The essential thing is to WANT to sing. This then is a song. I am singing.
I do not have many things that are meaningful to me. Except my doubts and my fears. And my art.
We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
We cling nervously to the melody, but we don't handle it freely, we don't really make anything new out of it, we merely overload it.
As musicians and artists, it's important we have an environment - and I guess when I say environment, I really mean the industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society.
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