People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
Zaha HadidRead
If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.
Interpretation
The quote emphasizes the interconnectedness of various forms of design across different disciplines.
Zaha Hadid's quote reflects her belief in the unity of design principles that transcend individual fields. Whether creating clothing, architecture, or choreography, she asserts that all these creative endeavors share foundational concepts and aesthetics, allowing for a fluid exchange of ideas and inspiration among them.
In practice
In a speech about cross-disciplinary creativity, this quote can inspire designers to explore new fields.
People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
I don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.
It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
It's very important that historic cities are allowed to reinvent their future.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
You have to really believe not only in yourself; you have to believe that the world is actually worth your sacrifices.
You're getting everyone's point of view at the same time, which for me, is the perfect state for a novel: a cubist state, the cubist novel.
Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
I think my stance and my way of life is my most important art.
Acting is not a competition; everything must be done for the good of the film or else everybody loses.
My experience with songwriting is usually so confessional, it's so drawn from my own life and my own stories.
Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.
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