I'd love to tell actors about all the things they don't need to worry about. Less is more. If you have it inside, you don't need to show too much. People pick up on things.
Interpretation
The essence of performance lies in subtlety rather than over-exaggeration.
Sigourney Weaver's quote emphasizes the importance of understated performances in acting. She suggests that an actor should not be overly concerned with displaying emotions or actions, but rather trust that the audience will perceive the depth of their portrayal through genuine, internalized expression.
In practice
In a drama class, this quote can be used to emphasize the importance of subtlety in acting.
I've always thought that a lot of the problems in the world would be solved if a spaceship did arrive, then anyone with one head and two arms and two legs would be your brother! It wouldn't matter where they were from or what they believed or anything. It might be good for us.
Writers write these male stereotypes, and it makes it ten times more interesting if a woman says the lines.
Please, God, please, don't let me be normal!
When I look around the world, I don't see too many damsels in distress. If they're a damsel in distress, they're manipulating some guy to help them.
Most of life is hell. It’s filed with failure and loss. People disappoint you. Dreams don’t work out. Hearts get broken. Innocent journalists die. And the best moments of life, when everything comes together, are few and fleeting. But you’ll never get to the next great moment if you don’t keep going. So that’s what I do. I keep going.
I never think about Wall Street - why should I - but to go down there so often while filming 'Working Girl,' to become acquainted with this whole different world, and to find out what goes on behind the scenes is so interesting. There's so much of the city that you don't really bother to investigate. Ahh... New York.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
[Photography] puts a human face on issues which, from afar, can appear abstract or ideological or monumental in their global impact.
You obviously don't really forget how to play the old songs; you just don't have to spend so much time convincing yourself that you remember them. Way less mental energy is spent swimming around in lyrics you've already written and chords you've already played.
Playing dress up begins at age 5 and never really ends.
The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.
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