While most of the things you've worried about have never happened, it's a different story with the things you haven't worried about. They are the ones that happen.
Ruth RendellRead
I have an idea, and I have a perpetrator, and I write the book along those lines, and when I get to the last chapter, I change the perpetrator so that if I can deceive myself, I can deceive the reader.
Interpretation
The quote reflects the creative process of writing and the intentional use of deception in storytelling.
In this quote, Ruth Rendell explores the intricacies of the writing process, particularly the element of surprise in narrative structure. By manipulating the identity of the perpetrator until the last chapter, the author emphasizes the duality of both self-deception and reader deception, highlighting how a well-crafted story can alter perceptions and expectations, engaging both the writer and the reader in a deeper literary experience.
In practice
During a workshop on creative writing, one might share this quote to illustrate the importance of plot twists.
While most of the things you've worried about have never happened, it's a different story with the things you haven't worried about. They are the ones that happen.
I always know when a novel is going to be a Barbara Vine one. In fact I believe that if I weren't to write it as Barbara Vine, I wouldn't be able to write it at all.
I was kind of thrown into - I didn't expect to do this for a living, being a recording artist. I was just playing music for the fun of it and writing songs. That was kind of my escape, you know, from the humdrum of the world.
The pleasures of writing correspond exactly to the pleasures of reading
A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.
I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth.
Unlike sport, music is not about winning or keeping fit or promoting your town or school; it's about celebrating, to a level approaching ecstasy, the deepest human longings.
I work with writers whom I believe to be true storytellers. And because I'm a writer, I pay very keen attention to their vision. I find that so fueling creatively because, in telling those stories, you use everything you've got. You come away with battle scars. It's gratifying and invigorating.
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