When I'm in certain moods, a conversation will start up in my head, and suddenly I'll realize that the language has reached a very high and interesting level, and then lines and stanzas will just kind of appear, full-blown.
Interpretation
The quote describes the creative process where inspiration strikes and poetry flows naturally from the mind.
Franz Wright expresses the profound experience of creativity, where certain moods trigger an internal dialogue that elevates language to a remarkable quality. In these moments, the poet feels a spontaneous generation of poetic lines and stanzas, which seem to emerge fully formed, illustrating the beauty and mystery of artistic inspiration.
In practice
In a poetry workshop, when discussing the spontaneous nature of writing.
We know there are poets who are chosen: by what or whom, we no more know than what lies beyond our final breath, or what caused a certain action which resulted in the fulfillment or the desecration and collapse of what we most cared for in life.
EPITAPH Now I'm not the brightest knife in the drawer, but I know a couple things about this life: poverty silence, impermanence discipline and mystery The world is not illusory, we are From crimson thread to toe tag If you are not disturbed there is something seriously wrong with you, I'm sorry And I know who I am I'll be a voice coming from nowhere, inside-- be glad for me.
I am in no way different from anyone else, that my predicament, my sense of aloneness or isolation may be precisely what unites me with everyone.
I've always envied people who compose music or paint, because they don't have to be bothered with the sort of crude mess that language normally is, in everyday life and in the way we use it.
The humiliation I go through/when I think of my past/can only be described as grace./We are created by being destroyed.
Jazz is what I play for a living.
In truth, every creation of the mind is first of all 'poetic' in the proper sense of the word; and inasmuch as there exists an equivalence between the modes of sensibility and intellect, it is the same function that is exercised initially in the enterprises of the poet and the scientist.
The thought of continually eating something like macaroni, spat out by machinery, fills me with fear and revulsion, so I make macaroni sculptures. I make them and make them and then keep on making them, until I bury myself in the process. I call this 'obliteration.'
This music is forever for me. It's the stage thing, that rush moment that you live for. It never lasts, but that's what you live for.
I am uncompromising to the point of huge dissension in the studio. And it's served me very well. My theory and my philosophy is, 'Compromise breeds mediocrity.' Obviously, you have to pick your battles, and the more success an artist has, the more they want to be involved in their own career, which is not necessarily a good thing.
To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
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