It is enough for a poet to be the guilty conscience of his age.
Saint-John PerseRead
In truth, every creation of the mind is first of all 'poetic' in the proper sense of the word; and inasmuch as there exists an equivalence between the modes of sensibility and intellect, it is the same function that is exercised initially in the enterprises of the poet and the scientist.
Interpretation
This quote expresses that both poetry and scientific creation stem from the same fundamental human creativity.
Saint-John Perse highlights the intrinsic link between poetry and science, suggesting that both emerge from a similar creative source within the human mind. He argues that the processes of intellect and sensibility are interconnected, allowing poetry and scientific inquiry to coexist as expressions of human imagination and understanding.
In practice
In a speech on interdisciplinary studies, one might say, 'As Saint-John Perse noted, both poetry and science share a deep-rooted connection in human creativity.'
It is enough for a poet to be the guilty conscience of his age.
Poetry allies itself with beauty - a supreme union - but never uses it as its ultimate goal or sole nourishment.
The poet existed among the cave men; he will exist among men of the atomic age, for he is an inherent part of man. Even religions have been born from the need for poetry, which is a spiritual need, and it is through the grace of poetry that the divine spark lives forever in the human flint.
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
The way I write my songs is that I have to believe what I’m writing about, and that’s why they always end up being so personal - because the kind of artists I like, they convince me, they totally win me over straight away in that thing. Like, “Oh my God, this song is totally about me.”
[Photography] puts a human face on issues which, from afar, can appear abstract or ideological or monumental in their global impact.
One of my big goals as a human being is to continue to write what's really happening to me, even if it's a tough pill to swallow for people around me... I do fear that if I ever were to have someone in my life who mattered, I would second-guess every one of my lyrics.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
Art is the close scrutiny of reality and therefore I put on the stage only those things that I know happen in our society.
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