I'm not the expert on the great gameplay. I come in for the character design, monsters, atmosphere. I'm not the technician.
Interpretation
The quote highlights the distinction between artistic vision and technical expertise in game design.
Clive Barker expresses that his contributions to game design focus on the artistic aspects such as character design, monsters, and atmosphere rather than the technical details of gameplay mechanics. This statement reflects the idea that creativity and artistic sensibility play a crucial role in the development of games, even if one may not excel in the technical elements.
In practice
In a panel discussion about video game development, this quote could highlight the importance of artistic vision.
Of course it’s the apparently tranquil periods that deceive us. Though our instruments or our senses or our wits may not be able to see the processes that are leading toward these clusters of events, they’re happening. The star, the wheel, the butterfly—all are in a subtle state of unrest, waiting for the moment when some invisible mechanism signals that the time has come. Then the star explodes; the wheel makes poor men rich; the butterfly mates and dies.
We’re too much ourselves. Afraid of letting go of what we are, in case we are nothing, and holding on so tight, we lose everything else.
In this sense love is of a different order to any other phenomenon, for it may be both an event and a sign of that invisible mechanism I spoke of before; perhaps the finest sign, the most certain. In it’s throes we need neither luck nor science. We are the wheel, and the man who profits by it. We are the star, and the darkness it pierces. We are the butterfly, brief and beautiful.
Perhaps a wiser eye than hers would be able to read tomorrow in tonight's stars, but where was the fun in that? It was better not to know. Better to be alive in the Here and the Now--in this bright, laughing moment--and let the Hours to come take care of themselves.
With the inevitability of a tongue returning to probe a painful tooth, we come back and back and back again to our fears, sitting to talk them over with the eagerness of a hungry man before a full and steaming plate.
You cut up a thing that's alive and beautiful to find out how it's alive and why it's beautiful, and before you know it, it's neither of those things, and you're standing there with blood on your face and tears in your sight and only the terrible ache of guilt to show for it.
Throughout history, the arts and humanities have helped men and women around the globe grapple with the most challenging questions and come to know the most basic truths. In our increasingly interconnected world, the arts play an important role in both shaping the character that defines us and reminding us of our shared humanity. This month, we celebrate our Nation's arts and humanities, and we recommit to ensuring all Americans can access and experience them.
I would never want to live anywhere but Baltimore. You can look far and wide, but you'll never discover a stranger city with such extreme style. It's as if every eccentric in the South decided to move north, ran out of gas in Baltimore, and decided to stay.
I'm interested in designing for posterity.
Poetry is a sort of homecoming.
The great hope is that people who wouldn't normally make films will be making them. Suddenly, one day some little fat girl in Ohio is going to be the new Mozart and make a beautiful film with her father's camera and for once the so called professionalism about movies will be destroyed forever - and it will really become an art form.
For both art and the historical sciences are ways of experiencing in which our own understanding of existence is immediately brought into play.
Subscribe for the occasional hand-picked quote. No noise.