One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.
Branden Jacobs-JenkinsRead
I'm not a really firm believer in theatre that is 'about anything.' I don't think theatre can be about anything other than the people who show up and the value that they hold.
Interpretation
Theatre's true essence lies in the people and their values rather than abstract concepts.
Branden Jacobs-Jenkins expresses the idea that theatre should primarily focus on the human experience and the unique values of the individuals involved, rather than attempting to convey broader or abstract themes. He suggests that the interactions and the diverse perspectives of the audience and performers create a meaningful theatrical experience.
In practice
In a discussion about contemporary theatre, this quote can highlight the importance of audience connection.
One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.
I don't hate people who colour-blind cast, but I hate people who colour-blind cast and pretend that they're not, who pretend that these bodies on stage don't actually carry specific meaning.
Family dramas are tough, as a playwright. Most stories are about characters going on a trip or a new character coming to town, because that's how you learn information about them. But with family, they all know each other already. There's years of history in every interaction.
I can only think of music as something inherent in every human being - a birthright. Music coordinates mind, body and spirit.
I knew the exuberance of playing before an admiring audience and hearing my secret voice.
You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes.
I've been told, and I think I recognize it, that there's a cinematic quality to my writing, with a sense of image and place and scene - and, some would say, my tendency to finish my books the way Hollywood finishes its films.
I believe that perfection handicaps cinema.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
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