One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.
Branden Jacobs-JenkinsRead
Family dramas are tough, as a playwright. Most stories are about characters going on a trip or a new character coming to town, because that's how you learn information about them. But with family, they all know each other already. There's years of history in every interaction.
Interpretation
Family dynamics present unique challenges for storytelling due to existing relationships and history.
Branden Jacobs-Jenkins highlights the complexities of writing about family dramas, noting that unlike other narratives where characters are often strangers or on new journeys, family relationships are deeply rooted in shared histories that shape each interaction. This inherent familiarity can make the portrayal of family drama more nuanced and layered, as every dialogue carries the weight of past experiences and emotions.
In practice
In a discussion about the complexities of family relationships in literature.
One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.
I don't hate people who colour-blind cast, but I hate people who colour-blind cast and pretend that they're not, who pretend that these bodies on stage don't actually carry specific meaning.
I'm not a really firm believer in theatre that is 'about anything.' I don't think theatre can be about anything other than the people who show up and the value that they hold.
A house is built of logs and stone, of tiles and posts and piers; a home is built of loving deeds that stand a thousand years.
Fortunately for me, I had a father who didn't let us get away with anything. You were taught respect, and you were taught to be humble. That has a lot to do with how I am now, because I'm still scared of my dad.
My grandmother spent her whole life working as a maid, a cook and a babysitter, barely scraping by, but still working hard to give my mother, her only child, a chance in life, so that my mother could give my brother and me an even better one.
Family life itself, that safest, most traditional, most approved of female choices, is not a sanctuary: It is, perpetually, a dangerous place.
When I was young, my brother David and I were farmed off to foster homes, and I spent time in orphanages. My father abandoned us. Here's the most important person in my life, and I never met him.
One of the greatest blessings we can offer to the world is the power of a Christ-centered home where the gospel is taught, covenants are kept, and love abounds.
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