We rode on the winds of the rising storm, We ran to the sounds of the thunder. We danced among the lightning bolts, and tore the world asunder.
Robert JordanRead
I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.
Interpretation
Writing treatments for films can be an absurdly complicated and nonsensical task.
Terry Rossio uses hyperbolic humor to illustrate the chaotic and often frustrating process of writing film treatments. He suggests that the task can feel so convoluted and random that even a wildly silly analogy involving monkeys and communication barriers seems more straightforward. This highlights the struggles writers face in consolidating ideas into a cohesive form for storytelling, pointing to the inherent challenges and absurdities in the creative process.
In practice
To illustrate the complexities of film writing, I shared Terry Rossio's quote during a screenwriting workshop.
We rode on the winds of the rising storm, We ran to the sounds of the thunder. We danced among the lightning bolts, and tore the world asunder.
The important thing in writing is the capacity to astonish. Not shock - shock is a worn-out word - but astonish.
I've always believed that a dance evening energizes an audience, that an audience goes out feeling chemically stronger and more optimistic. This is what I understand about dance. And this is an important thing. We need this. Our culture needs it.
Patti, did art get us?' I looked away, not really wanting to think about it. 'I don't know, Robert. I don't know.' Perhaps it did, but no one could regret that. Only a fool would regret being had by art; or a saint.
Every man is a plastic artist who must determine things for himself.
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
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