I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Billy CollinsRead
When I discovered the lyric poem, that advanced not by narrative steps but by blocks and layers of imagery, I said, 'Gee, I probably could do that. So let me try that.'
Interpretation
The quote expresses a moment of inspiration and aspiration in poetry, highlighting the appeal of lyrical poetry's imagery.
Billy Collins reflects on his discovery of lyric poetry, which does not follow a traditional narrative but instead builds meaning through rich imagery. This moment sparks his creative confidence, leading him to believe that he too can craft such poetry, demonstrating how inspiration can ignite the creative process.
In practice
This quote could be shared in a poetry workshop to inspire participants to explore lyric poetry.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
People think of poetry as a school subject... Poetry is very frustrating to students because they don't have a taste for ambiguity, for one thing. That gives them a poetry hangover.
To a poet, it's quite ruinous to have a poem distorted, out of shape, or squeezed, shall we say, into this tiny screen. But I'm not sure big digital companies are sensitive to the needs of poets.
All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack, I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
The whole world of publishing is moving to electronic, but when you put a poem on a screen and you increase the type size, the shape of a poem changes.
When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.
There is certainly no absolute standard of beauty. That precisely is what makes its pursuit so interesting.
Monet is only an eye, but my God, what an eye!
You may not, cannot, appropriate beauty. It is the wealth of the eye, and a cat may gaze upon a king.
What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat,’.... And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
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