Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
Jasper JohnsRead
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
Interpretation
The quote expresses the struggle and longing of an individual to be recognized as an artist, despite feeling distant from that identity.
Jasper Johns reflects on his intense desire to become an artist, revealing the internal conflict between aspiration and the reality of not knowing how to achieve that artistic identity. He acknowledges the strength of his resolve, yet also the frustration of feeling detached from the very goals he yearns for, highlighting the complex emotional journey that often accompanies artistic ambition.
In practice
In a motivational speech about pursuing dreams in the arts.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
To be an artist you have to give up everything, including the desire to be a good artist.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
One wants one's work to be the world, but of course it's never the world. The work is in the world; it never contains the whole thing.
Sometime during the mid-50s I said, 'I am an artist.' Before that, for many years, I had said, 'I'm going to be an artist.' Then I went through a change of mind and a change of heart. What made 'going to be an artist' into 'being an artist', was, in part, a spiritual change.
Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?
Fiction is not imagination. It is what anticipates imagination by giving it the form of reality. This is quite opposite to our own natural tendency which is to anticipate reality by imagining it, or to flee from it by idealizing it. That is why we [Europeans] shall never inhabit true fiction; we are condemned to the imaginary and nostalgia for the future.
Drawing is not the same as form, it is a way of seeing form.
I'm going to make a film where not one word is really important. I'm going to make it all action.
We don't experience our lives as plots. If I asked you to tell me what your last week was like, you're not really gonna give me plot. You're gonna give me sort of linked narrative. And I wanted to see how do we bring that into fiction without losing the reader.
The body is your instrument in dance, but your art is outside that creature, the body.
A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.
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