Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
Jasper JohnsRead
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
Interpretation
The quote reflects the desire of an artist to seek inspiration and community beyond their immediate environment.
Jasper Johns expresses the longing of an artist for a more vibrant and inspiring context in which to create. He acknowledges the existence of artists but feels isolated from them, suggesting that creativity flourishes in environments rich with artistic peers and influences. This yearning for 'somewhere else' underscores the importance of place and community in the pursuit of artistic identity.
In practice
In a speech about the importance of artistic communities, one might reference Jasper Johns to illustrate how artists thrive in enriched environments.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
To be an artist you have to give up everything, including the desire to be a good artist.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
One wants one's work to be the world, but of course it's never the world. The work is in the world; it never contains the whole thing.
Sometime during the mid-50s I said, 'I am an artist.' Before that, for many years, I had said, 'I'm going to be an artist.' Then I went through a change of mind and a change of heart. What made 'going to be an artist' into 'being an artist', was, in part, a spiritual change.
Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?
Art is individualism, and individualism is a disturbing and disintegrating force. There lies its immense value. For what it seeks is to disturb monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine. It seeks to show new perspectives and other choices. It is a way to help expand and liberate the consciousness; our experiences, understandings, imaginings, options and thereby our lives.
To tell of disappointment and misery, to thicken the darkness of futurity, and perplex the labyrinth of uncertainty, has been always a delicious employment of the poets
Whatever happens in my life, whether I stand up or I fall down, whatever the case, I'm going to use it in my art. Why? Because I'm an artist and I have to.
The composer does not sit around and wait for an inspiration to walk up and introduce itself...Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.
All the soarings of my mind begin in my blood.
Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.
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