In a media culture, we not only judge strangers by how they look but by the images of how they look. So we want attractive pictures of our heroes and repulsive images of our enemies.
Virginia PostrelRead
By binding image and desire, glamour gives us pleasure, even as it heightens our yearning. It leads us to feel that the life we dream of exists, and to desire it even more.
Interpretation
Glamour amplifies our desires and dreams, creating a sense of pleasure from what we aspire to in life.
In this quote, Virginia Postrel explores the concept of glamour as a powerful force that intertwines images of desire with our perceptions of pleasure. Glamour not only makes our aspirations feel tangible but also deepens our longing for those aspirations, suggesting that the allure of what we desire can motivate us to pursue a more fulfilling life, even as it makes us aware of what we lack.
In practice
In a motivational speech about personal aspirations and the pursuit of dreams.
In a media culture, we not only judge strangers by how they look but by the images of how they look. So we want attractive pictures of our heroes and repulsive images of our enemies.
Glamour doesn’t just happen, people don’t wake up in the morning glamorous.
With its fluctuating forms and needless decoration, fashion epitomizes the supposedly unproductive waste that inspired 20th-century technocrats to dream of central planning. It exists for no good reason. But that's practically a definition of art.
A world of few choices, whether in jeans or mates, is a world in which individual differences become sources of alienation, unhappiness, even self-loathing. If no jeans fit, you'll feel uncomfortable or inferior. If no housing developments reflect your taste for unique architecture, you'll write screeds against philistine mass culture.
Most of us cluster somewhere in the middle of most statistical distributions. But there are lots of bell curves, and pretty much everyone is on a tail of at least one of them. We may collect strange memorabilia or read esoteric books, hold unusual religious beliefs or wear odd-sized shoes, suffer rare diseases or enjoy obscure movies.
'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.
Liberty without virtue would be no blessing to us.
How shall Integrity face Oppression? What shall Honesty do in the face of Deception, Decency in the face of Insult, Self-Defense before Blows? How shall Desert and Accomplishment meet Despising, Detraction, and Lies? What shall Virtue do to meet Brute Force? There are so many answers and so contradictory; and such differences for those on the one hand who meet questions similar to this once a year or once a decade, and those who face them hourly and daily.
The theology of the average colored church is basing itself far too much upon Hell and Damnation-upon an attempt to scare people into being decent and threatening them with the terrors of death and punishment. We are still trained to believe a good deal that is simply childish in theology. The outward and visible punishment of every wrong deed that men do the repeated declaration that anything can be gotten by anyone at any time by prayer.
Man has made remarkable strides in conquering outer space, but how futile have been his efforts in conquering inner space- the space in our hearts and minds of men.
First, he realized that the sea was blue and that there was an enormous quantity of it, and that it roared and roared-really all the banalities about the ocean that one could realize, but if any one had told him then that these things were banalities, he would have gaped in wonder.
Absolute consciousness is manifest here in every circumstance of daily life because it is everywhere full and perfect. Consciousness is said to be the cause of all things because it is everywhere emergent as each manifest entity.
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