To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle.
Interpretation
What this quote means
Writing is an instinctive urge that may seem irrational to outsiders but serves a deeper purpose for those who feel compelled to do it.
Joan Didion's quote explores the inherent drive to write that some individuals experience, framing it as almost a compulsion that is difficult to explain to those who do not share this passion. She reflects on how this urge appears to start from a very early age and suggests that, while it may not have immediate utility, it holds intrinsic value for the writer, revealing the deep connection between the act of writing and the human experience.
Themes
In practice
Example use cases
During a lecture about creative writing, one might use this quote to illustrate the compulsive nature of writing.
More from Joan Didion
All quotes →The truth is, it's easier for me to write than talk... to express the state I'm in at any time.
Memories are what you no longer want to remember.
It was clear, for example, in 1988 that the political process had already become perilously remote from the electorate it was meant to represent.
I mean maybe I was holding all the aces, but what was the game?
Do not whine... Do not complain. Work harder. Spend more time alone.
Similar quotes
And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.
When I stand before a canvas, I never know what I'll do, and I am the first one surprised at what comes out.
Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
I have been a designer all my life, and design, for me, is to share love and trust and show the future in a beautiful way. I have worked on this principle all my life.
I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.
It is in order to really see, to see ever deeper, ever more intensely, hence to be fully aware and alive, that I draw what the Chinese call 'The Ten Thousand Things' around me. Drawing is the discipline by which I constantly rediscover the world. I have learned that what I have not drawn, I have never really seen, and that when I start drawing an ordinary thing, I realize how extraordinary it is, sheer miracle.