One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
Alan MooreRead
I increasingly fear that nothing good can come of almost any adaptation, and obviously that's sweeping. There are a couple of adaptations that are perhaps as good or better than the original work. But the vast majority of them are pointless.
Interpretation
The quote expresses skepticism about adaptations of original works, suggesting that most fail to capture their essence.
Alan Moore conveys a strong sentiment that most adaptations of original works do not meet the quality or spirit of the original, implying that these adaptations often lack purpose and depth. While he acknowledges that a few adaptations might succeed, his overall view reflects a critical stance on the trend of reinterpreting creative works.
In practice
Discussing the merits of movie adaptations of classic literature in a film studies class.
One of the advantages of travelling the world is that you get to know the world broadly. And one of the advantages of staying in one place is that you get to know the world deeply.
The only reality we can ever truly know is that of our perceptions, our own consciousness, while that consciousness, and thus our entire reality, is made of nothing but signs and symbols. Nothing but language. Even God requires language before conceiving the Universe. See Genesis: “In the beginning was the Word.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Love your rage, not your cage.
I've loved every minute I've spent in television. And I've had much more failure, as traditionally measured, than success in television. I've done four shows, and only one of them was the 'West Wing.'
For Christ plays in ten thousand places,/ Lovely in limbs, and lovely in eyes not his/ To the Father through the features of men’s faces.
When I'm writing a book, I don't have any responsibility to anyone. I'm solitary. I'm writing on my own. I write by hand. And I write every day. I mean, it's part of my daily discipline.
When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
I adore the theater and I am a painter. I think the two are made for a marriage of love. I will give all my soul to prove this once more.
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