There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
H. P. LovecraftRead
incurable lover of the grotesque
Interpretation
The appreciation for the strange and unusual can reveal deeper truths about life.
H. P. Lovecraft's phrase 'incurable lover of the grotesque' speaks to the enduring fascination with the bizarre and macabre aspects of existence. It suggests that such an attraction is not merely a phase but a fundamental part of one’s identity, indicating a deeper exploration of the human condition and the realities that lie beyond conventional beauty.
In practice
This quote can be used in a speech about embracing individuality and the unconventional in art.
There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
I know always that I am an outsider; a stranger in this century and among those who are still men.
Searchers after horror haunt strange, far places.
The process of delving into the black abyss is to me the keenest form of fascination.
No new horror can be more terrible than the daily torture of the commonplace.
I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism—religion, spiritualism, transcendentalism, metempsychosis, or immortality.
All these actors who died before I was born, all the theaters and the artistic movements - all that stuff fills you up and makes you feel like you're the inheritor of all this information and of all its passion.
Writing is a fine thing, because it combines the two pleasures of talking to yourself and talking to a crowd.
Any writer worth his salt writes to please himself.
Yes, I am the first Latino poet laureate in the United States. But I'm also here for everyone and from everyone. My voice is made by everyone's voices.
Photography concentrates one's eye on the superficial. For that reason it obscures the hidden life which glimmers through the outlines of things like a play of light and shade. One can't catch that even with the sharpest lens.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
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