The camera sees more than the eye, so why not make use of it?
Edward WestonRead
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
Interpretation
The quote reflects the process of artistic photography as a journey of discovery and expression.
Edward Weston emphasizes the importance of the creative process in photography, where the initial idea begins with a sense of discovery. This journey continues as the artist observes and captures the subject through their unique perspective, culminating in a final print that represents a faithful duplication of their vision and emotions, without any alterations post-capture.
In practice
This quote can be used in a photography workshop to inspire attendees about the creative process.
The camera sees more than the eye, so why not make use of it?
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting.
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
Theater is a verb before it is a noun, an act before it is a place.
In France, in Europe, the young artists of any generation always act as grandsons of some great man - Poussin, for example, or Victor Hugo. They can't help it. Even if they don't believe in that, it gets in their system. And so when they come to produce something of their own, the tradition is nearly indestructible.
I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.
Much of life becomes background, but it is the province of art to throw buckets of light into the shadows and make life new again.
Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.
Color is one of the great things in the world that makes life worth living to me and as I have come to think of painting it is my efforts to create an equivalent with paint color for the world, life as I see it.
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