. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Eavan BolandRead
I had grown up as an Irish poet in a country where the distance between vision and imagination was not quite as wide as in some other countries.
Interpretation
The quote reflects on the close relationship between vision and imagination in Ireland, particularly in the context of poetry.
Eavan Boland's quote highlights her experience as an Irish poet, suggesting that the cultural environment in Ireland allows for a more harmonious relationship between what one envisions and what one imagines. In some countries, this gap might be wider, indicating that the Irish landscape and its literary tradition facilitate a unique creative process where vision and imagination work together seamlessly.
In practice
In a discussion about the influence of culture on artistic expression.
. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Poetry begins where language starts: in the shadows and accidents of one personβs life.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
If a poet does not tell the truth about time, his or her work will not survive it. Past or present, there is a human dimension to time, human voices within it, and human griefs ordained by it.
Our present will become the past of other men and women. We depend on them to remember it with the complexity with which it was suffered. As others, once, depended on us.
I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
Art is about trying to find the good in people, and making the world a more compassionate place.
For me, purity of movement wasn't enough. I needed expression, more intensity, more mind.
I don't really remember a time younger than 5 years old that I didn't have skates on because all I can remember is every day, tying up my skates and a big smile on my face, excited to go on the ice.
Aesthetics has become too important to be left to the aesthetes. To succeed, hard-nosed engineers, real estate developers, and MBAs must take aesthetic communication, and aesthetic pleasure, seriously. We, their customers, demand it.
All fiction comes from a little bit of reality, otherwise it would have no relevance. The fun is in innovation, take something real like this fair, and make it something larger than life.
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