. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Eavan BolandRead
I had grown up as an Irish poet in a country where the distance between vision and imagination was not quite as wide as in some other countries.
Interpretation
The quote reflects on the close relationship between vision and imagination in Ireland, particularly in the context of poetry.
Eavan Boland's quote highlights her experience as an Irish poet, suggesting that the cultural environment in Ireland allows for a more harmonious relationship between what one envisions and what one imagines. In some countries, this gap might be wider, indicating that the Irish landscape and its literary tradition facilitate a unique creative process where vision and imagination work together seamlessly.
In practice
In a discussion about the influence of culture on artistic expression.
. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Poetry begins where language starts: in the shadows and accidents of one person’s life.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
If a poet does not tell the truth about time, his or her work will not survive it. Past or present, there is a human dimension to time, human voices within it, and human griefs ordained by it.
Our present will become the past of other men and women. We depend on them to remember it with the complexity with which it was suffered. As others, once, depended on us.
There is something like an explosion in the meaning of certain words: they have a greater value than their meaning in the dictionary.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.
A poet’s freedom lies precisely in the impossibility of worldly success. It is the freedom of one who knows he will never be anything but a failure in the world’s estimation, and may do as he pleases. The poet is a man on the sidelines of life, sidelined for life. He belongs to the aristocracy of the outcast, the lowest of the low, below the salt of the earth. A member of the most ancient regime in the world. One that cannot, it seems, be overthrown.
A drawing is simply a line going for a walk.
One of the interesting things an artist does is they keep rediscovering things, whether it's a jazz piece or a role you've done for 3,000 performances or a song you're singing for the 3,000th time. My job is to find that spark that keeps it fresh and alive.
I was born out of due time in the sense that by temperament and talent I should have been more suited for the life of a small Bach, living in anonymity and composing regularly for an established service and for God.
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