. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Eavan BolandRead
If a poet does not tell the truth about time, his or her work will not survive it. Past or present, there is a human dimension to time, human voices within it, and human griefs ordained by it.
Interpretation
A poet must authentically convey the truth of human experiences related to time for their work to endure.
In this quote, Eavan Boland emphasizes the importance of truthfulness in poetry, particularly concerning the concept of time. She argues that a poet's work must resonate with the human experiences of time, including the joys and sorrows that come with it; otherwise, that work will fade into obscurity, lacking the essential connection to the human condition that allows it to endure over time.
In practice
In a literary discussion about the relevance of poetry in expressing human experiences over time.
. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Poetry begins where language starts: in the shadows and accidents of one person’s life.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
Our present will become the past of other men and women. We depend on them to remember it with the complexity with which it was suffered. As others, once, depended on us.
As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist.
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
Your best work is your expression of yourself. Now, you may not be the greatest at it, but when you do it, you're the only expert.
It is an ancient need to be told stories. But the story needs a great storyteller. Thanks for all of it, Jo.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
The difficulty in the way of writing a children's play is that Barrie was born too soon. Many people must have felt the same about Shakespeare. We who came later have no chance. What fun to have been Adam, and to have had the whole world of plots and jokes and stories at one's disposal.
I learned not to care ... and to write for an imaginary reader whose tastes were similar to my own.
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