Human affairs inspire in noble hearts only two feelings-admiration or pity.
Anatole FranceRead
Irony and pity are two good counselors: one, in smiling, makes life pleasurable; the other, who cries, makes it sacred.
Interpretation
Irony and pity offer different perspectives on life, balancing enjoyment and deep meaning.
This quote highlights the dual nature of human experiences: irony brings joy and laughter, making our existence more enjoyable, while pity evokes a sense of compassion and reverence for the struggles of life. Together, they guide us in navigating our emotions and understanding the complexities of our existence.
In practice
In a discussion about coping with hardships, one might quote this to illustrate the balance of joy and sorrow.
Human affairs inspire in noble hearts only two feelings-admiration or pity.
Awaken people's curiosity. It is enough to open minds, do not overload them. Put there just a spark.
In its majestic equality, the law forbids rich and poor alike to sleep under bridges, beg in the streets and steal loaves of bread.
Justice is the means by which established injustices are sanctioned
There is a certain impertinence in allowing oneself to be burned for an opinion.
Lovers who love truly do not write down their happiness.
We are snared into doing things for which we get called names, and things for which we get hanged, and yet the spirit may well survive - survive the condemnations, survive the halter, by Jove! And there are things - they look small enough sometimes too - by which some of us are totally and completely undone.
One is often told that it is a very wrong thing to attack religion, because religion makes men virtuous. So I am told; I have not noticed it.
Cowardice and courage are never without a measure of affectation. Nor is love. Feelings are never true. They play with their mirrors.
Anyone who has lost something they thought was theirs forever finally comes to realise that nothing really belongs to them.
The subject of death is taboo. We feel, perhaps only subconsciously, that to be in contact with death in any way, even indirectly, somehow confronts us with the prospect of our own deaths, draws our own deaths closer and makes them more real and thinkable.
Our age is essentially one of understanding and reflection, without passion, momentarily bursting into enthusiasm and shrewdly relapsing into repose.
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