Any time you get two people in a room who disagree about anything, the time of day, there is a scene to be written. That's what I look for.
I've loved every minute I've spent in television. And I've had much more failure, as traditionally measured, than success in television. I've done four shows, and only one of them was the 'West Wing.'
Interpretation
What this quote means
The quote expresses a deep appreciation for the journey of creating television, despite measuring success by traditional standards.
In this quote, Aaron Sorkin reflects on his experiences in the television industry, highlighting that while he has experienced more failures than successes according to conventional metrics, he has found joy and fulfillment in every moment spent working in this medium. His statement emphasizes the importance of passion and love for one's craft over mere quantitative success, suggesting that the process itself can be rewarding, regardless of the outcomes.
Themes
In practice
Example use cases
In a speech at a TV industry event, one might quote this to inspire creators to embrace their failures as part of their artistic journey.
More from Aaron Sorkin
All quotes βThe upside of web-based journalism is that everybody gets a chance. The downside is that everybody gets a chance.
I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.
Decisions are made by those who show up. Don't ever forget that you're a citizen of this world.
Good writers borrow from other writers. Great writers steal from them outright.
With 'The Social Network,' I got into it at first because frankly I thought there was a cool courtroom drama to be had with the intellectual properties. And then what further drew me in was that the most extraordinary social networking device ever created was created by the world's most antisocial person. I liked that story.
Similar quotes
And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules.
Film can do lots of things: It can produce alternative ideas, ask questions, just record the reality of what's happening, it can analyze what's happening. Of course, most commercial films are controlled by big corporations who have an interest in not doing those films.
What inspires a poem for me is usually a moment.
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys.
I believe black characters in fiction are still revolutionary, given our long history of erasure.