Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
I've often been accused of, 'Oh the movies looked good but there's no story,' but I disagree with that in theory, and '9' is a perfect example for me because the feel, the texture, and the look of that world, and those characters, is the story. That's a major component of why you feel the way you do when you're watching it.
Interpretation
What this quote means
Tim Burton emphasizes that visual and aesthetic elements in film can convey a story as powerfully as a traditional narrative.
In this quote, Tim Burton articulates his belief that the visual style, atmosphere, and the design of characters in a film can be just as significant as the written narrative. He challenges the notion that a film must have a strong plot to be impactful, suggesting instead that the emotional resonance and experiences drawn from visuals contribute to the storytelling experience. Burton's perspective invites us to appreciate film as an art form where visuals can convey meaning and evoke feelings, akin to a narrative.
Themes
In practice
Example use cases
In a film critique where the focus is on aesthetics and visuals.
More from Tim Burton
All quotes →Things that I grew up with stay with me. You start a certain way, and then you spend your whole life trying to find a certain simplicity that you had. It's less about staying in childhood than keeping a certain spirit of seeing things in a different way.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
Don't worry about how you 'should' draw it. Just draw it the way you see it.
I am the shadow on the moon at night/Filling your dreams to the brim with fright.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
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I don't write tracts, I write novels. I'm not a preacher, I'm a fiction writer.
I just feel that 'The Color Purple,' which was my 10th book, was a true gift from my ancestors.
And so when studying faces, we do indeed measure them, but as painters, not as surveyors.