Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Tim BurtonRead
I am the shadow on the moon at night/Filling your dreams to the brim with fright.
Interpretation
This quote captures the eerie essence of dreams and fears intertwined with artistry.
Tim Burton uses the imagery of being a shadow on the moon to evoke feelings of fear and the haunting nature of dreams. This reflects his unique style of blending dark themes with whimsical elements, illustrating how nightmares can fill our dreams yet also evoke a fascinating artistic exploration of fear.
In practice
This quote can be used in an art class discussion about the role of fear in creativity.
Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Things that I grew up with stay with me. You start a certain way, and then you spend your whole life trying to find a certain simplicity that you had. It's less about staying in childhood than keeping a certain spirit of seeing things in a different way.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
Don't worry about how you 'should' draw it. Just draw it the way you see it.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
If I'd said, 'I'm going to be a director,' it probably wouldn't have happened.
What are our conductors giving us year after year? Only fresh corpses. Over these beautifully embalmed sonatas, toccatas, symphonies and operas the public dance the jitterbug. Night and day without let the radio drowns us in a hog-wash of the most nauseating, sentimental ditties. From the churches comes the melancholy dirge of the dead Christ, a music which is no more sacred than a rotten turnip.
One can be a great poet and be politically stupid.
For being a bad student I was banished to the 'calaboose' - a bare cell with whitewashed walls and a bench to sit on. I liked it there, because I took along a sketch pad and drew incessantly I could have stayed there forever drawing without stopping
Who I am on stage is very, very different to who I am in real life.
I maintain that anyone who still refuses to see, for instance, a horse galloping on a tomato, must be an idiot. A tomato is also a child's balloon - Surrealism, again, having suppressed the word "like."
As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist.
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