The role of a museum of modern art is to make a good selection and identify what we believe to be the coming movements, and that requires taste.
David RockefellerRead
The Japanese have a wonderful sense of design and a refinement in their art. They try to produce beautiful paintings with the minimum number of strokes.
Interpretation
The Japanese art emphasizes simplicity and beauty in design.
This quote highlights the Japanese approach to art, where mastery is demonstrated through minimalism and elegance. By creating beautiful representations using fewer strokes, artists embody both skill and an appreciation for the essence of their subject, reflecting a deep cultural respect for simplicity and beauty in expression.
In practice
During a presentation on art techniques, one might use this quote to emphasize the value of simplicity.
The role of a museum of modern art is to make a good selection and identify what we believe to be the coming movements, and that requires taste.
Success in business requires training and discipline and hard work. But if you're not frightened by these things, the opportunities are just as great today as they ever were.
Populists and isolationists ignore the tangible benefits that have resulted from our active international role during the past half-century.
I realize how fortunate I have been; mine has been a wonderful life.
I am a passionate traveler, and from the time I was a child, travel formed me as much as my formal education. In order to appreciate cultures of another nation, one needs to go there, know the people and mingle with the culture of that country. One way to do that, if one is lucky enough, is to buy things from those cultures.
A museum has to renew its collection to be alive, but that does not mean we give on important old works.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
My weakness ... is architecture. I think of my work as ephemeral architecture, dedicated to the beauty of the female body.
Reading a poem in translation is like kissing a woman through a veil.
I am never going to write for the sake of writing.
I meet young artists and it becomes clear that with some the main motivation is getting a show in Chelsea. It strikes me that this is very different to the way it was for me, which was that I wanted to understand photography and the world and myself.
I never paint dreams or nightmares. I paint my own reality.
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