Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.
Interpretation
Jazz music embodies spontaneity and emotional connection through musical conversation.
In this quote, Wynton Marsalis emphasizes the essence of jazz music as an improvised form of art that thrives on the present moment. He suggests that, unlike scripted performances, jazz musicians engage in a dynamic dialogue that reflects their immediate feelings and experiences, creating powerful emotional moments for both the musicians and the audience.
In practice
During a lecture on the importance of creativity in art, one might cite this quote to illustrate jazz's spontaneous nature.
Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.
The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others.
My daddy thought - no, he expected - that my brothers and I and our generation would make the world a better place. He was correct in his belief because he had lived in an America of continual social progress, depression followed by prosperity, segregation by integration, and so on.
New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
There are people these days who can do things on the guitar which are beyond my reach. There's one guy who plays with Queen who can do things I would dream of doing. I sincerely mean that.
I love to play. And fortunately, I don't know a lot of musicians that suck. I know a bunch of really good ones, and they're always up for playing.
They're powerful, those songs. At times they've been my only way back, the only door out of the dark, bad places the black dog calls home.
We've now got a whole generation of jazz musicians who have been brought up with hip-hop. We've grown up alongside rappers and DJs; we've heard this music all our life. We are as fluent in J Dilla and Dr Dre as we are in Mingus and Coltrane.
With the a cappella groups, every voice is like one string on a guitar, one note on the piano, or one cymbal, and you don't have the luxury of falling back on anything.
I'm not 'Grace.' That album is like a brick onto itself. It's like a coffin that I put certain feelings and observations in so that they can be capsulized forever. I wanted to put them there so I would be free to move on.
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