I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
Francis Ford CoppolaRead
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
Interpretation
This quote highlights the creative freedom and unique challenges in the filmmaking process.
Francis Ford Coppola's quote illustrates the unconventional nature of his early job in the film industry, where he was tasked with writing English dialogue for a Russian film despite not knowing the language. It emphasizes the importance of creativity and adaptability in art, suggesting that often, the essence of storytelling can transcend linguistic barriers, and that success in creative endeavors can come from embracing challenges and thinking outside the box.
In practice
This quote can be used in a film class to discuss the importance of creativity in screenplay writing.
I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?
I live near San Francisco in the most beautiful spot on earth and enjoy myself in many ways. Yes, I love to work, which for now is to think and read and write, so it's all a dream come true.
The essence of cinema is editing.
It is a little disappointing to see that your legs are not as strong. But I like the idea of growing old, and the thought of approaching death is not particularly daunting to me.
You don't have to specialize - do everything that you love and then, at some time, the future will come together for you in some form.
One does not photograph something simply for 'what it is', but 'for what else it is.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
We need writers who know the difference between the production of a commodity and the practice of an art.
A modern building should derive its architectural significance solely from the vigour and consequence of its own organic proportions. It must be true to itself, logically transparent, and virginal of lies or trivialities.
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
The thing I have always tried to do is surprise people: to present them with something they didn't expect.
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