It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
Lynsey AddarioRead
Journalists dedicate their lives to covering war - they make many personal sacrifices, and it's not something that's gender-based. In a place like Libya where there's heavy fighting, it doesn't matter if you're a man or a woman.
Interpretation
Journalists risk their lives to report on conflicts, showing bravery regardless of gender.
In this quote, Lynsey Addario emphasizes the profound commitment of journalists who cover war zones. She highlights that both men and women make significant personal sacrifices in pursuit of truth and reporting, stressing the universal nature of their courage in the face of danger, particularly in tumultuous environments like Libya, where the fight for information transcends gender differences.
In practice
During a speech about the importance of press freedom, this quote could remind us of the bravery involved in journalism.
It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
I do think my childhood is one of the fundamental reasons that I'm able to do my job. We were raised in this totally nonjudgmental family. We never knew who was going to walk in the front door. And as a journalist and a photographer, you walk into so many different scenes that you have to be open to everything.
As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel.
Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money.
If people really saw what was happening in Iraq and Afghanistan, then they might be marching in the streets to end wars. But you know, I think that no one ever sees because we're not allowed to see, and we're not allowed to publish what we do see. So it's quite difficult.
I could not help reflecting that the bullet which had struck the chestnut [horse] had certainly passed within a foot of my head. So at any rate I had been 'under fire.' That was something.
To see and know the worst is to take from Fear her main advantage.
It's something my mother believed in: If you are in a position of privilege, if you can put your name to something that you genuinely believe in, you can smash any stigma you want, and you can encourage anybody to do anything.
I have not ceased being fearful, but I have ceased to let fear control me.
Something did happen to me somewhere that robbed me of confidence and courage and left me with a fear of discovery and change and a positive dread of everything unknown that may occur.
I know it's easier to portray a world filled with cynicism and anger, where problems are solved with violence...It's an easy out. What's a whole lot tougher is to offer alternatives, to present other ways conflicts can be resolved, and to show you can have a positive impact on your world. To do that, you have to put yourself out on a limb, take chances, and run the risk of being called a do-gooder.
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