No - Kajol can never go anywhere. Kajol is absolutely hearts and minds and memories and silloys for ever and ever. I think if I was to, I wouldn't be exaggerating I if say in our times of film-making she's a beautiful living legend.
Interpretation
This quote underscores Kajol's lasting impact on cinema and her significance in the memories of fans and filmmakers alike.
Shahrukh Khan's quote emphasizes the indelible mark that Kajol has left in the world of film, portraying her not just as an actress but as a cherished figure in the hearts and minds of audiences. By referring to her as a 'beautiful living legend', he highlights the emotional connection and admiration that people feel towards her work and contributions, suggesting that her influence in cinema is both profound and eternal.
In practice
In a speech honoring legendary actors, you might include this quote to emphasize their impact.
I've told Kamal Haasan, Amitabh Bachchan, Naseeruddin Shah, Nana Patekar, I just want to touch you. They are the gods of acting. When people call me God, I say, no, I'm still an angel or saint of acting. I still have a long way to go.
You know, I think we Indians are afraid to show and celebrate our happiness, lest things change around. But I feel that it's okay to be sad and okay to show when you are happy.
I am like a Rolls- Royce. I can run without an engine, purely on reputation
If you like me, raise your hand. If you don't, raise your standards
More than an actor, I am a performer... I'm a great believer - honestly so, shamelessly so, vulgarly so - that cinema is for entertainment. If you want to send messages, there's the postal service.
I think you get most of the most interesting work done in fields where people don't think they're doing art but are merely practicing a craft and working as good craftsmen. Being literate as a writer is good craft, is knowing your job, is knowing how to use your tools properly and not to damage the tools as you use them.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
What I do is creative. It doesn't seem like that when I'm playing a piece that was written in the past, but the score is just the outline and everything in it is relative. The key is to make this piece written by someone else belong to you and then connect to the audience.
The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the starts.
You can't expect someone born into a family with no music...to understand when I'm conducting the Schönberg Variations.
I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
Subscribe for the occasional hand-picked quote. No noise.