Paint the flying spirit of the bird rather than its feathers.
Robert HenriRead
Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.
Interpretation
The quote emphasizes the importance of learning from past masters while encouraging individual creativity.
In this quote, Robert Henri advocates for artists to study the techniques and styles of previous masters in order to learn and grow. However, he also stresses the significance of developing one's unique voice and approach, suggesting that while conventions can provide a solid foundation, true artistry comes from personal expression and innovation beyond established norms.
In practice
In an art class, when discussing the importance of style, a teacher might quote this to inspire students.
Paint the flying spirit of the bird rather than its feathers.
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
You form a society: that limits you. Adopt a name, and you've limited yourself again; draw up a constitution and bylaws and you've made a groove, a rut, that hampers your growth. You think you can fix your course and move straight along it. But sometimes the important thing is to strike out sidewise.
After all, the goal is not making art. It is living a life. Those who live their lives will leave the stuff that is really art.
Do not let the fact that things are not made for you, that conditions are not as they should be stop you. Go on anyway. Everything depends on those who go on anyway.
Drawing is not following a line on the model, it is drawing your sense of the thing.
From 1968 on, I was pretty much the black, gay SF writer.
My philosophy is that I'm an artist. I perform an art not with a paint brush or a camera. I perform with bodily movement. Instead of exhibiting my art in a museum or a book or on canvas, I exhibit my art in front of the multitudes.
Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
Musicians are often asked to answer for an entire culture, or for an entire movement. It's a process of commodification. It becomes packaged and summarized in a word like 'emo' or 'grunge'... or 'folk music.' I think that's just language itself, trying to understand the mysteries of the world.
Did you know that the human voice is the only pure instrument? That it has notes no other instrument has? It's like being between the keys of a piano. The notes are there, you can sing them, but they can't be found on any instrument. That's like me. I live in between this. I live in both worlds, the black and white world.
In Náhuatl, the language of the Aztec world, one key word for poet was 'tlamatine,' meaning 'the one who knows,' or 'he who knows something.' Poets were considered 'sages of the word,' who meditated on human enigmas and explored the beyond, the realm of the gods.
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