Paint the flying spirit of the bird rather than its feathers.
Robert HenriRead
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
Interpretation
The quote emphasizes the importance of mindfulness and appreciation for beauty in everyday life.
Robert Henri suggests that a true artist engages deeply with the world around them, taking the time to appreciate and document the things they love. Rather than rushing through life, they observe and capture moments of beauty and meaning, transforming them into art through careful attention and reflection.
In practice
This quote could be used during an art class to inspire students to observe their surroundings more closely.
Paint the flying spirit of the bird rather than its feathers.
Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.
You form a society: that limits you. Adopt a name, and you've limited yourself again; draw up a constitution and bylaws and you've made a groove, a rut, that hampers your growth. You think you can fix your course and move straight along it. But sometimes the important thing is to strike out sidewise.
After all, the goal is not making art. It is living a life. Those who live their lives will leave the stuff that is really art.
Do not let the fact that things are not made for you, that conditions are not as they should be stop you. Go on anyway. Everything depends on those who go on anyway.
Drawing is not following a line on the model, it is drawing your sense of the thing.
When something's made in the smallest volume - as a one-off couture piece - or in large quantities, deep care is critical to determine authentic, successful design and, ultimately, manufacture.
I think no woman I have had ever gave me so sweet a moment, or at so light a price, as the moment I owe to a newly heard musical phrase.
I have made up thousands of stories; I have filled innumerable notebooks with phrases to be used when I have found the true story, the one story to which all these phrases refer. But I have never yet found the story. And I begin to ask, Are there stories?
The flower you single out is a rejection of all other flowers; nevertheless, only on these terms is it beautiful.
No movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
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