We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer.
Min Jin LeeRead
Koreans love to dance; they love to sing. If you actually know Koreans, you see how absurd the stereotype of the 'Asian robot' is. They love to laugh - they're very affectionate. Maybe because of their history of oppression, when they feel you are part of their tribe, they are intensely loyal. I love that about Koreans!
Interpretation
This quote challenges the stereotype of Koreans being robotic and emphasizes their warmth, love for dance and laughter, and deep loyalty.
Min Jin Lee's quote highlights the vibrant and affectionate nature of Koreans, countering the narrow stereotype of them as detached or robotic. She reflects on how their historical experiences have shaped a strong sense of community and loyalty among them, revealing the emotional depth and cultural richness of Koreans that often goes unnoticed.
In practice
In a cultural presentation about Korean traditions and values.
We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer.
Twenty-five million people who live in North Korea are denied freedom in every respect of their lives. In short, they are hostages. Imagine 25 million hostages.
My father was born on Christmas Day in 1934. He grew up in what is now part of North Korea. When the Korean War began, my father was 16, and he found passage on an American refugee ship,thinking he'd be gone for just a few days, but he never saw his mother or his sister again.
I think it's not an accident that you don't have that many Asian American women writers who are breaking out. I don't think it's an accident that you don't have that many Asian American writers, either women or men. I don't think that immigrants are encouraged to become artists. That's very gendered and racialized and ethnicized.
Koreans are worried about the Japanese right-wing people, who tend to be against foreigners. But the Koreans in Japan aren't even foreigners. They are essentially culturally Japanese. If a family has lived in Japan for three generations, it's absurd to see them as foreigners.
I've often felt like an outsider, not necessarily because I'm Korean, an immigrant, or female. I think writers are odd people.
If culture was a house, then language was the key to the front door, [and] to all rooms inside.
There is one day that is ours. There is one day when all we Americans who are not self-made go back to the old home to eat saleratus biscuits and marvel how much nearer to the porch the old pump looks than it used to. Thanksgiving Day is the one day that is purely American.
Middle-class Pakistani cultural life is what I've seen, what I know - they're not all screaming faceless mullahs. It's disturbing that in American films, the character on the other side is not even named.
Culture makes people understand each other better. And if they _x000D_ understand each other better in their soul, it is easier to overcome the economic and political barriers. But first they have to understand that their neighbour is, in the end, just like them, with the same problems, the same questions.
Even though I spent the first five years of my life in Nagasaki, going to Japan can be really difficult. Even if they know I've been brought up in the West, they still expect me to understand all the subtleties of their culture, and if I get it wrong, it matters much more than if a British person gets it wrong. I find it intimidating.
As popular culture becomes more presentist, we move away from entertainment as the vicarious experience of a narrative - as watching someone else's story - and much more toward enacting one's own story. Moving away from myths and toward fantasy role-playing games, away from movies and toward videogames.
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