I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Dr. DreRead
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
Interpretation
Embracing diverse musical influences, regardless of their origin, is celebrated in L.A. culture.
Dr. Dre highlights the inclusive nature of Los Angeles's music scene, where the quality of music takes precedence over its geographical roots. This perspective promotes a culture of openness and appreciation for various musical styles, encouraging artists and listeners to connect through the universal language of music, irrespective of its source.
In practice
In a speech at a music festival celebrating multicultural influences.
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
I'm never gonna stop music, it's like air to me.
And even when I was close to defeat, I rose to my feet.
I just make the music feel the way I want it to feel, and I don't put it out until I'm totally happy with it.
I could beat my mike stand into the stage, but I was still in pain. Maybe fans liked it, but sometimes people forget you're a person and they're more into the entertainment value. It's taken a long time to turn that around and give a strong show without it being a kamikaze show.
It wasn't until I hung out with Dead Prez and understood how to make, you know, raps with a message sound cool that I was able to just write "All Falls Down" in 15 minutes.
I think that American music, for me, it's a synthesis of a lot of different things. But for me growing up in North Carolina, the stuff that I was listening to, the things that I was hearing, it was all about Black music, about soul music.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
I always felt rock and roll was very, very wholesome music.
The only reason I figured out I didn't like my old records to listen was I could hear how nervous I was and how uncomfortable I was. And who would want to sit around and listen to yourself being uncomfortable?
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