I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Dr. DreRead
No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
Interpretation
Talent is essential in music production, regardless of the tools used.
This quote by Dr. Dre emphasizes that while having the right equipment and technology is important in music production, it is ultimately the talent and skill of the individual that determines the quality of the final record. It serves as a reminder that creativity and artistic ability play a pivotal role in success.
In practice
This quote can be used in a music production workshop to inspire aspiring producers.
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
I'm never gonna stop music, it's like air to me.
And even when I was close to defeat, I rose to my feet.
I just make the music feel the way I want it to feel, and I don't put it out until I'm totally happy with it.
Noise has taken the place of punk rock. People who play noise have no real aspirations to being part of the mainstream culture. Punk has been co-opted, and this subterranean noise music and the avant-garde folk scene have replaced it
Jazz has the power to make men forget their differences and come together... Jazz is the personification of transforming overwhelmingly negative circumstances into freedom, friendship, hope, and dignity.
When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
Every time you pick up your guitar to play, play as if it's the last time.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
One of the reasons I believe in jazz is that the oneness of man can come through the rhythm of your heart. It’s the same anyplace in the world, that heartbeat. It’s the first thing you hear when you’re born — or before you’re born — and it’s the last thing you hear.
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