There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
By and large, most of the work that we see in the great museums throughout the world are populated with people who don't happen to look like me.
Interpretation
The quote highlights the lack of diversity in the art world, particularly in museums.
Kehinde Wiley's quote draws attention to the representation issues within the art world, specifically in prestigious museums, where the majority of artwork seems to exclude artists from diverse backgrounds. This observation points to a broader conversation about inclusion and how history has often overlooked contributions from various cultures, prompting a call for change and increased visibility of diverse artists.
In practice
In a speech about the importance of representation in the arts.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
The artist must be in his work as God is in creation, invisible and all-powerful; one must sense him everywhere but never see him.
I don't know what it's like for a book writer or a doctor or a teacher as they work to get established in their jobs, but for a singer, you've got to continue to grow or else you're just like last night's cornbread...stale and dry.
What is certain is that setting a piece of nature in place and drawing it are two very different things.
Right from the outset, the prevailing mindset in British comics fandom was a radical and progressive one. We were all proto-hippies, and we all thought that comics would be greatly improved if everything was a bit psychedelic like Jim Steranko.
Like so many other nerdy, disaffected young people of that time, I dreamed of becoming an 'artist', i.e., somebody whose adult job was original and creative instead of tedious and dronelike.
I believe in professionalism, but playing is not like a job. You have to be grateful to have the opportunity to play.
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