I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
Michelangelo AntonioniRead
I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.
Interpretation
The quote reflects the idea of breaking away from traditional norms in creative expression.
Michelangelo Antonioni's quote emphasizes the evolution of artistic freedom whereby directors and artists progressively challenge and disregard established rules. This shift indicates a growing acceptance of personal interpretation and creativity, allowing for a more authentic and innovative approach to art and filmmaking.
In practice
During a film festival discussion, a director quoted Antonioni to inspire fellow filmmakers to embrace their creative liberties.
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
All the characters in my films are fighting these problems, needing freedom, trying to find a way to cut themselves loose, but failing to rid themselves of conscience, a sense of sin, the whole bag of tricks.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
We live in a society that compels us to go on using these concepts, and we no longer know what they mean.
I am neither a sociologist nor a politician. All I can do is imagine for myself what the future will be like.
Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.
I've always known that I was born to sing, ever since I was a child.
I increasingly fear that nothing good can come of almost any adaptation, and obviously that's sweeping. There are a couple of adaptations that are perhaps as good or better than the original work. But the vast majority of them are pointless.
Whether I'm painting or not, I have this overweening interest in humanity. Even if I'm not working, I'm still analyzing people.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
What I'm working on now - I'm back to fantasy, although considering that it's me, I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them; they were born that way.
I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time itβs really useless.
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