You've got to keep fighting; you've got to risk your life every six months to stay alive.
Elia KazanRead
I gave my life to the Group Theatre, because in it I'm building something for myself. What I build, I am.
Interpretation
The quote expresses commitment to a creative endeavor and its deep personal significance.
Elia Kazan highlights the profound connection between his identity and his work with the Group Theatre. He suggests that through his artistic contributions, he is not only expressing himself but also constructing his own identity and legacy within the community of artists, indicating that one's creative path can serve as a foundation for personal fulfillment and self-realization.
In practice
In a speech about dedication to the arts at a community event.
You've got to keep fighting; you've got to risk your life every six months to stay alive.
Acting... was the biggest charge I ever had. What other artist has it so good? Approval so quick?
I've come to believe that everything worth achieving is beyond one's capacity - or seems so at first. The thing is to persist, not back off, fight your fight, pay your dues, and carry on. Effort is all; continue and you may get there despite everything.
A good director's not sure when he gets on the set what he's going to do.
To be a member of the Communist Party is to have a taste of the police state. It is a diluted taste but it is bitter and unforgettable.
I've lost many of my best friends... I'm going to satisfy myself now, not the critics, not even my friends.
Weirdly enough, if I'm having trouble with a guitar part - not the playing of it but the writing - I'll mess around with echo and other effects, just turn everything up and make it as crazy as can be, and it winds up taking me somewhere. I've found so many guitar parts from echo. It's limitless.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
Having the urge to write a novel, especially if you've yet to be published, is like having a medical condition impossible to mention in polite company - it's a relief simply to know there are fellow-sufferers out there.
I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress.
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