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Her life her life had taken on the shape of a terrible mistake. She hadn't been given the proper tools to make a real life with, she decided, that was it. She'd been given a can of gravy and a hair-brush and told, "There you go." She'd stood there for years, blinking and befuddled, brushing the can with the brush.
Lorrie Moore
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Interpretation

What this quote means

The quote reflects the feelings of inadequacy and frustration when one feels unprepared for life's challenges.

In this quote, Lorrie Moore illustrates a profound sense of disappointment and bewilderment in the face of life's difficulties. The metaphor of being given a can of gravy and a hairbrush symbolizes the arbitrary and insufficient tools we are often provided with to navigate the complexities of life. The protagonist’s frustration indicates her struggle to create meaning and fulfillment from inadequate resources, highlighting the feelings of confusion and futility that can arise when one feels ill-equipped to handle their circumstances.

Themes

LifeFrustrationToolsStruggleMeaning

In practice

Example use cases

Using this quote in a motivational speech to discuss overcoming life's challenges.

More from Lorrie Moore

They had, finally, the only thing anyone really wants in life: someone to hold your hand when you die.
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You couldn't pretend you had lost nothing... you had to begin there, not let your blood freeze over. If your heart turned away at this, it would turn away at something greater, then more and more until your heart stayed averted, immobile, your imagination redistributed away from the world and back only toward the bad maps of yourself, the sour pools of your own pulse, your own tiny, mean, and pointless wants.
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I tried not to think about my life. I did not have any good solid plans for it long-term - no bad plans either, no plans at all - and the lostness of that, compared with the clear ambitions of my friends (marriage, children, law school), sometimes shamed me. Other times in my mind I defended such a condition as morally and intellectually superior - my life was open and ready and free - but that did not make it less lonely.
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She was not good on the phone. She needed the face, the pattern of eyes, nose, trembling mouth... People talking were meant to look at a face, the disastrous cupcake of it, the hide-and-seek of the heart dashing across. With a phone, you said words, but you never watched them go in. You saw them off at the airport but never knew whether there was anyone there to greet them when they got off the plane.
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No matter that you anticipate a thing; you get so used to it as part of the future that its actuality, its arrival, its force and presence, startles you, takes you by surprise, as would a ghost suddenly appearing in the room wearing familiar perfume and boots.
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When I was in graduate school, I had a teacher who said to me, 'Women writers should marry somebody who thinks writing is cute. Because if they really realised what writing was, they would run a mile.'
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