then, as though it had been waiting on a near by roof for their arrival, the moon came slanting suddenly through the vines and turned the girl's face the color of white roses.
Interpretation
The quote evokes a beautiful, poetic image of a girl's face illuminated by moonlight, emphasizing the connection between nature and emotion.
In this quote, F. Scott Fitzgerald captures a moment of serene beauty where the moonlight enhances the girl's features, symbolizing purity and transcendent love. The imagery of the moon and white roses suggests an idyllic and romantic atmosphere, intertwining nature's beauty with human emotions, reflecting the essence of love and hope.
In practice
This quote is perfect for a romantic wedding toast, capturing the essence of love and beauty.
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
Each color lives by its mysterious life.
Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
Oh! Moon of Alabama We now must say good-bye We've lost our good old mama And must have whiskey Oh, you know why!
But it's writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.
The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
The essence of style is how you live your life
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