There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
Minor WhiteRead
If all your life means to you is water running over rocks, then photograph it, but I want to create something that would not have existed without me.
Interpretation
The quote emphasizes the importance of creating something original rather than just observing the world passively.
Minor White suggests that mere existence and observation, akin to water flowing over rocks, is insufficient for a meaningful life. Instead, he advocates for the idea that one's contribution to the world should be unique and significant, something that leaves a lasting impact and would not exist without the individual's creative input.
In practice
In a motivational speech about pursuing passions.
There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.
Some of the young photographers today enter photography where I leave off. My "grandchildren" astound me. What I worked for they seem to be born with. So I wonder where Their affirmations of Spirit will lead. My wish for them is that their unfolding proceeds to fullness of Spirit, however astonishing or anguished their lives.
One does not photograph something simply for 'what it is', but 'for what else it is.
One should not only photograph things for what they are but for what else they are.
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
My greatest achievement is being able to write records that are real snapshots of what's going on in my life. I won't repeat myself for the sake of commerce, or to please other people.
I don't like standard beauty - there is no beauty without strangeness.
Surely it is a magical thing for a handful of words, artfully arranged, to stop time. To conjure a place, a person, a situation, in all its specificity and dimensions. To affect us and alter us, as profoundly as real people and things do.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
There was always a part of me that wanted to be an old-time director. But I couldn't do that. I'm not a pro.
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