Unlike sport, music is not about winning or keeping fit or promoting your town or school; it's about celebrating, to a level approaching ecstasy, the deepest human longings.
Stephen HoughRead
If they say they don't like the way I play Beethoven, then I can swallow that, and maybe they're right. But if they don't like what I've written, then it's about me.
Interpretation
The quote reflects the distinction between receiving criticism on interpretations versus original creations, with the latter being more personal.
In this quote, Stephen Hough highlights the emotional weight of receiving criticism on one's own artistic creations compared to interpretations of established works, like those of Beethoven. While he indicates openness to feedback on his performances, he also expresses the deeper personal connection he has with his own compositions, emphasizing that critiques of original work are not just about technique but touch upon his identity as an artist.
In practice
In a discussion about artistic expression during a lecture.
Unlike sport, music is not about winning or keeping fit or promoting your town or school; it's about celebrating, to a level approaching ecstasy, the deepest human longings.
Life is an incurable disease leading to death, but it's also an unrequested gift, which, if we can manage to keep giving it away to others, can keep giving back everything to us.
All things of beauty can speak to us of God, and I'm very happy to listen to and be inspired by people of every religious background.
Live in the present moment. The past and future are nonexistent. Only the present can be grasped or, better, embraced.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
There are artists who delight listeners with their wild and daring individuality; there are others who uncover the written score with reverence. There are few who can do both.
I think theater ought to be theatrical ... you know, shuffling the pack in different ways so that it's -- there's always some kind of ambush involved in the experience. You're being ambushed by an unexpected word, or by an elephant falling out of the cupboard, whatever it is.
The more I photograph women, the less it is about transformation. Women are beautiful. All that really matters is enhancing that.
Because of how much movies cost, it's dangerous to be experimental on one film after the other. But we can experiment with television. We can do things that are fringe and bring ideas to the table that are offbeat and original.
You write to become immortal, or because the piano happens to be open, or you've looked into a pair of beautiful eyes.
That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
There are five things to write songs about: I'm leaving you. You're leaving me. I want you. You don't want me. I believe in something. Five subjects, and 12 notes. For all that, we musicians do pretty well.
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