If they say they don't like the way I play Beethoven, then I can swallow that, and maybe they're right. But if they don't like what I've written, then it's about me.
Stephen HoughRead
All things of beauty can speak to us of God, and I'm very happy to listen to and be inspired by people of every religious background.
Interpretation
Beauty has a universal quality that connects us to the divine and inspires us through various religions.
In this quote, Stephen Hough reflects on the idea that beauty transcends individual beliefs and can be a source of spiritual connection. He appreciates the inspiration that can be drawn from the beauty found in diverse religious expressions, suggesting that art and beauty have the power to bridge divides and foster understanding among people of different faiths.
In practice
During a talk on the intersection of art and faith, one could use this quote to highlight beauty's role in spirituality.
If they say they don't like the way I play Beethoven, then I can swallow that, and maybe they're right. But if they don't like what I've written, then it's about me.
Unlike sport, music is not about winning or keeping fit or promoting your town or school; it's about celebrating, to a level approaching ecstasy, the deepest human longings.
Life is an incurable disease leading to death, but it's also an unrequested gift, which, if we can manage to keep giving it away to others, can keep giving back everything to us.
Live in the present moment. The past and future are nonexistent. Only the present can be grasped or, better, embraced.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
There are artists who delight listeners with their wild and daring individuality; there are others who uncover the written score with reverence. There are few who can do both.
I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.
A modern building should derive its architectural significance solely from the vigour and consequence of its own organic proportions. It must be true to itself, logically transparent, and virginal of lies or trivialities.
Imagine that we are sitting in an ordinary room. Suddenly we are told that there is a corpse behind the door. In an instant the room we are sitting in is completely altered; everything in it has taken on another look; the light, the atmosphere have changed, though they are physically the same. This is because we have changed and the objects are as we conceive them. That is the effect I want to get in my film.
Writing is an act of empathy. You are occupying and understanding a point of view that might be alien to your own--and work is often the keyhole through which you peer.
Musicals are β particularly musicals β plays also, but musicals particularly areβ¦ the last collaborator is your audience, and so youβve got to wait βtil the last collaborator comes in before you can complete the collaboration.
When I applied for grad school, I did not specify genre. I said I wanted an MFA in Creative Writing. I was so cute and stupid! The admissions committee at Pitt decided to put me in poetry.
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