A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Sam ShepardRead
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
Interpretation
The quote speaks to the profound connection the speaker feels to writers whose work reflects a deep, personal struggle and need for expression.
Sam Shepard expresses admiration for writers who convey their experiences and emotions with urgency, suggesting that their writing serves as a vital lifeline or 'survival kit' for both the writer and the reader. This connection emphasizes the importance of authenticity and emotional depth in literature, revealing how such works resonate and remain significant in one's life.
In practice
In a literature class discussing the emotional depths of writing.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me.
Unless a piece really said something, I had no interest in it. I have got to know that I have served some purpose here.
Movies took you right up to the edge but kept you safe.
His element is so fine _x000D_ _x000D_ Being sharpened by his death, _x000D_ _x000D_ To drink from the wine-breath _x000D_ _x000D_ While our gross palates drink from the whole wine.
Never play a thing the same way twice.
In fiction, imaginary people become realer to us than any named celebrity glimpsed in a series of rumored events, whose causes and subtler ramifications must remain in the dark. An invented figure like Anna Karenina or Emma Bovary emerges fully into the light of understanding, which brings with it identification, sympathy and pity.
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