Weather is a literary specialty, and no untrained hand can turn out a good article on it
Mark TwainRead
In literature imitations do not imitate.
Interpretation
This quote suggests that imitations in literature do not simply replicate but rather create something new.
Mark Twain's quote highlights the idea that in the realm of literature, acts of imitation are not mere copies of original works; instead, they serve to reinterpret and reshape those originals into something unique. This reflects the dynamic nature of creativity, where each imitation carries an artist's stamp, contributing to the evolution of artistic expression.
In practice
During a literature class, discussing the evolution of storytelling styles.
Weather is a literary specialty, and no untrained hand can turn out a good article on it
The easy part of being an artist is figuring out the message that everyone else is ready to hear. The hard part is waiting for the proper lull to make the announcement.
You can't reason with your heart; it has its own laws, and thumps about things which the intellect scorns.
To be good is noble; but to show others how to be good is nobler and no trouble.
Name the greatest of all inventors. Accident.
In Paris they just simply opened their eyes and stared when we spoke to them in French! We never did succeed in making those idiots understand their own language.
My work is always better when I am alone and follow my own impressions.
Yes, every venture is always filled with apprehensions. But if we were to conduct ourselves continuously on that aspect, then we would lose the most important reason to be in this profession: to challenge the art of and be part of what is commonly known as our creative instincts.
The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Detroit, my 'great' subject, made me the person I am, consequently the writer I am - for better or worse.
Simultaneous contrast is not just a curious optical phenomenon β it is the very heart of painting. Repeated experiments with adjacent colors will show that any ground subtracts its own hue from the colors which it carries and therefore influences.
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