With the beginning of life, comes the thirst for truth, whereas the ability to lie is gradually acquired in the process of trying to stay alive.
Gao XingjianRead
Literature transcends national boundaries, racial boundaries. It goes deep into the issues that concern all human beings. That is why, when people read Greek tragedy - it doesn't matter who reads it - they are still moved by it.
Interpretation
Literature connects humanity beyond differences, evoking shared emotions and concerns.
Gao Xingjian emphasizes the universal nature of literature, suggesting that it transcends cultural and racial barriers to speak to fundamental human experiences. Through works like Greek tragedy, readers from diverse backgrounds find common ground in their emotional responses, highlighting literature's power to unite people through shared themes and feelings.
In practice
In a speech about the importance of the arts in education, one might say, 'As Gao Xingjian remarked, literature transcends all boundaries, reminding us of our shared humanity.'
With the beginning of life, comes the thirst for truth, whereas the ability to lie is gradually acquired in the process of trying to stay alive.
I was born Chinese, and I write in Chinese. I don't think there's any need to evade this... to a writer, as to a person, what matters is not his political label or his nationality, but whether he is a person and whether his work is worth looking at.
For me, writing [was] a question of survival...I could not trust anyone, even my family. The atmosphere was so poisoned. People even in your own family could turn you in.
Young man, nature is not frightening, it's people who are frightening! You just need to get to know nature and it will become friendly. This creature known as man is of course highly intelligent, he's capable of manufacturing almost anything from rumours to test-tube babies and yet he destroys two to three species every day. This is the absurdity of man.
If you're not perfectly conscious of yourself, that self can be tyrannical; in relationship to others, anyone can become a tyrant. That's why no one can be a Superman. You have to go beyond yourself with a 'third eye' - self-awareness - because the one thing you cannot flee is yourself.
Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.
There were epochs in the history of humanity in which the writer was a sacred person. He wrote the sacred books, universal books, the codes, the epic, the oracles. Sentences inscribed on the walls of the crypts; examples in the portals of the temples. But in those times the writer was not an individual alone; he was the people.
I noticed in America that if you write a book of any kind, you're made to be the representative of all the issues that might surround it.
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
Only in books has mankind known perfect truth, love and beauty.
We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
Ultimately, my books are not about the politics, although the toil and the struggle and the wars in Afghanistan have a significant impact on the lives of my characters.
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