With the beginning of life, comes the thirst for truth, whereas the ability to lie is gradually acquired in the process of trying to stay alive.
Gao XingjianRead
Literature transcends national boundaries, racial boundaries. It goes deep into the issues that concern all human beings. That is why, when people read Greek tragedy - it doesn't matter who reads it - they are still moved by it.
Interpretation
Literature connects humanity beyond differences, evoking shared emotions and concerns.
Gao Xingjian emphasizes the universal nature of literature, suggesting that it transcends cultural and racial barriers to speak to fundamental human experiences. Through works like Greek tragedy, readers from diverse backgrounds find common ground in their emotional responses, highlighting literature's power to unite people through shared themes and feelings.
In practice
In a speech about the importance of the arts in education, one might say, 'As Gao Xingjian remarked, literature transcends all boundaries, reminding us of our shared humanity.'
With the beginning of life, comes the thirst for truth, whereas the ability to lie is gradually acquired in the process of trying to stay alive.
I was born Chinese, and I write in Chinese. I don't think there's any need to evade this... to a writer, as to a person, what matters is not his political label or his nationality, but whether he is a person and whether his work is worth looking at.
For me, writing [was] a question of survival...I could not trust anyone, even my family. The atmosphere was so poisoned. People even in your own family could turn you in.
Young man, nature is not frightening, it's people who are frightening! You just need to get to know nature and it will become friendly. This creature known as man is of course highly intelligent, he's capable of manufacturing almost anything from rumours to test-tube babies and yet he destroys two to three species every day. This is the absurdity of man.
If you're not perfectly conscious of yourself, that self can be tyrannical; in relationship to others, anyone can become a tyrant. That's why no one can be a Superman. You have to go beyond yourself with a 'third eye' - self-awareness - because the one thing you cannot flee is yourself.
Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.
To say that such-and-such a circumstance is 'Kafkaesque' is to admit to the denigration of an imagination that has burned a hole in what we take to be modernism - even in what we take to be the ordinary fabric and intent of language. Nothing is like 'The Hunger Artist.' Nothing is like 'The Metamorphosis.'
All modern American literature comes from one book by Mark Twain called Huckleberry Finn.
For me alone Don Quixote was born and I for him. His was the power of action, mine of writing.
Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
One of the greatest things about writing as a profession is that the words of Tolstoy, Chesterton and Dostoyevsky have lived for a hundred years and are just as powerful today. Their words have changed me just as much as the people I actually met.
All books are either dreams or swords, you can cut, or you can drug, with words.
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