With the beginning of life, comes the thirst for truth, whereas the ability to lie is gradually acquired in the process of trying to stay alive.
Gao XingjianRead
For me, writing [was] a question of survival...I could not trust anyone, even my family. The atmosphere was so poisoned. People even in your own family could turn you in.
Interpretation
Writing becomes essential for personal survival in a hostile environment where trust is absent.
Gao Xingjian expresses that in a toxic atmosphere, where betrayal can come from even those closest to us, the act of writing serves as a vital means of self-preservation. His words reflect a profound struggle for individuality and expression amid pervasive distrust and jeopardy, highlighting how art can be both a refuge and a necessity for emotional survival.
In practice
When discussing the importance of creative expression in times of adversity.
With the beginning of life, comes the thirst for truth, whereas the ability to lie is gradually acquired in the process of trying to stay alive.
I was born Chinese, and I write in Chinese. I don't think there's any need to evade this... to a writer, as to a person, what matters is not his political label or his nationality, but whether he is a person and whether his work is worth looking at.
Young man, nature is not frightening, it's people who are frightening! You just need to get to know nature and it will become friendly. This creature known as man is of course highly intelligent, he's capable of manufacturing almost anything from rumours to test-tube babies and yet he destroys two to three species every day. This is the absurdity of man.
If you're not perfectly conscious of yourself, that self can be tyrannical; in relationship to others, anyone can become a tyrant. That's why no one can be a Superman. You have to go beyond yourself with a 'third eye' - self-awareness - because the one thing you cannot flee is yourself.
Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.
Literature transcends national boundaries, racial boundaries. It goes deep into the issues that concern all human beings. That is why, when people read Greek tragedy - it doesn't matter who reads it - they are still moved by it.
When I am dancing, it feels like my prayer. It's like an offering. I offer my head back to the dance, I offer my shoulders back to the dance, my elbows, my hands, my spine, my knees, my feet, my whole self, my bones, my blood, my experience, my suffering... I offer it all back to the dance and I say: take it, do whatever you want with me. Release me.
It is music that welds spiritual and sensual, that can convey ecstasy free of guilt, faith without dogma, love as homage, and a person at home with nature and the infinite.
In this way, writers are indeed, as Henry Miller suggested, traitors to the human race. We may turn a light on inequity, injustice, and oppression from time to time, but we regularly kill what we love in insidious fashion.
Beauty is produced by the pleasing appearance and good taste of the whole, and by the dimensions of all the parts being duly proportioned to each other.
When I was a child, my mother said to me, 'If you become a soldier, you'll be a general. If you become a monk, you'll end up as the Pope.' Instead, I became a painter and wound up as Picasso.
I cannot listen to Beethoven or Mahler or Chopin or Bach when I write because those composers require you stop what you are doing and listen.
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