Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
Joan MiroRead
Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things.
Interpretation
Miro reflects on the beauty of simplicity in art, suggesting that fewer colors can create powerful expressions.
In this quote, Joan Miro emphasizes the concept that using a limited palette of forms and colors can lead to profound artistic expression. He notes that historical examples, such as the frescoes of the tenth century, demonstrate that brilliance can emerge from simplicity, showcasing his reverence for minimalist approaches in art. Miro champions the idea that magnificence can be found in restraint, allowing the essence of the work to shine through without the distraction of complexity.
In practice
In a speech about the importance of simplicity in design.
Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
More important than a work of art itself is what it will sow. Art can die, a painting can disappear. What counts is the seed.
When I stand before a canvas, I never know what I'll do, and I am the first one surprised at what comes out.
The painting rises from the brushstrokes as a poem rises from the words. The meaning comes later.
I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
A simple line painted with the brush can lead to freedom and happiness.
Better that you should take the chance of trying something that is close to your heart, you think is what you want to write, and if they do not publish it, put it in your drawer. But maybe another day will come and you will find a place to put that.
The things that affect you most deeply - the things that will destroy you if you don't sing about them - are the things that you often end up singing about. It's really just about saying those things that everybody thinks but no one will say and making a connection by uncovering these diamonds that are inside of all of us that no one wants to tell each other about.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
People ask me if I ever thought of writing a children's book. I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
I do believe that movies are subject to a million interpretations.
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