More important than a work of art itself is what it will sow. Art can die, a painting can disappear. What counts is the seed.
Joan MiroRead
Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
Interpretation
The quote reflects the deepening emotional connection between the artist and their work over time.
Joan Miro expresses the journey of an artist as they engage with their canvas, suggesting that the process of creation leads to a profound affection for the artwork. This love is not instant but grows out of a gradual understanding and connection to the piece, emphasizing the relationship between the artist and their creation.
In practice
An artist may share this quote during an exhibition opening to express their journey with their work.
More important than a work of art itself is what it will sow. Art can die, a painting can disappear. What counts is the seed.
When I stand before a canvas, I never know what I'll do, and I am the first one surprised at what comes out.
The painting rises from the brushstrokes as a poem rises from the words. The meaning comes later.
I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things.
A simple line painted with the brush can lead to freedom and happiness.
I prefer the old masters, by which I mean John Ford, John Ford, and John Ford.
Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream.
If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.
I would never want to live anywhere but Baltimore. You can look far and wide, but you'll never discover a stranger city with such extreme style. It's as if every eccentric in the South decided to move north, ran out of gas in Baltimore, and decided to stay.
Writing has certainly helped me explore about 20,000 versions of my authentic self. I suppose that's what most writers discover if they write long enough: there are a lot of selves roaming around in there.
I can't imagine ever writing anything of any kind on a machine. I never tried to write either poetry or prose on a typewriter. I like to do it on useless paper, scrap paper, because it's of no importance.
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